Services.

I offer location recording and post production sound mixing, sound design, and foley for film and television, along with recording, mixing, and mastering music. 

Location Recording

I offer on location recording for film and television. I have my own professional equipment and will travel to you, no matter how far! See the gear list below to get a better idea of what I bring with me on location.  

Studio Recording

I have connections at a few different studios in the Minneapolis/St. Paul area with different prices depending on what the artist is looking for. Upon a preproduction meeting with you, we can decide which studio will best fit your recording needs. 

Post Mixing 

I edit, mix, and master post production music and film using Pro Tools. I use dynamic and time based processing to work with the artist or production company to find the right sound for the final product. I also use RX Audio Repair for repairing audio and Ozone for mastering.

Gear List for Location Recording

• Sound Device 664 Mixer 12 Channel
• Lectrosonics DSR4 4 Channel Receiver
• Lectrosonics SRB Dual Receiver x2
• Lectrosonics 411 Receiver x4
• Lectrosonics UH 400
• Lectrosonics UM 400 x7
• Lectrosonic IFBlue Receiver x2
• Sony URX-P2 x2 
• Sony UTX-B2
• Sony UTX-B03
• Lectrosonic UCR 100 x2
• Lectrosonic UM 100
• Tentacle Time Code box x3
• Diety W.Lav Pro Lavalier x4
• Cos-11 Lavaliers x3
• Tram TR-50 Lavalier x3
• Sennheiser MKH 416 P48 Shotgun Mic
• RF Venue Diversity Omni Antenna
• BSRF AS-62 Dual Channel Active Antenna Splitter
• Deity S-Mic 2
• Film Devices Travel Boom Pole
• Koolertron Carbon Fiber Boom Pole
• Orca Mixing Bag/Chest Harness
• Denecke TS-1 Timecode Slate
• C-Stand
• 6 Inch Cardilini

Building Relationships With Clients

Whether you hire me for on location recording, or studio recording, I pride myself in building relationships with my clients and working together to meet your expectations while making new friends along the way.

Audio, Producer, Cam Op working as a team